Lêer:Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505.jpg

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Opsomming

Abraham Bloemaert: Parable of the Wheat and the Tares  wikidata:Q18748328 reasonator:Q18748328
Kunstenaar/Skepper
Abraham Bloemaert  (1564–1651)  wikidata:Q329811 s:nl:Hoofdportaal:Beeldende kunst/Schilderkunst/Nederland/Abraham Bloemaert
 
Abraham Bloemaert
Beskrywing Dutch painter, miniaturist, drawer en printmaker
Geboorte- en sterfdatum 25 Desember 1564 Edit this at Wikidata 27 Januarie 1651 Edit this at Wikidata
Geboorte- en sterfplek Gorinchem Utrecht
Werk periode circa 1576 - circa 1651
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1576-00-00T00:00:00Z/9,P1326,+1651-00-00T00:00:00Z/9,P1480,Q5727902
Werksplek
Utrecht (1576), Parys (ca. 1581–1583), Utrecht (1583–1591), Amsterdam (1591–1593), Utrecht (1594–1651)
Gesagsbeheer
creator QS:P170,Q329811
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Titel
Engels:
Parable of the Wheat and the Tares Edit this at Wikidata
title QS:P1476,en:"Parable of the Wheat and the Tares Edit this at Wikidata"
label QS:Len,"Parable of the Wheat and the Tares Edit this at Wikidata"
label QS:Lde,"Gleichnis vom Unkraut unter dem Weizen"
label QS:Lnl,"De gelijkenis van het onkruid onder de tarwe"
Object type Skildery Edit this at Wikidata
Genre religious art Edit this at Wikidata
Beskrywing
English: In this parable from the Gospel of Matthew, the devil, identified by his horns and tail, sows weeds (or tares) in the field where wheat has been planted, while the lazy peasants are sleeping. Christians considered sloth one of the Seven Deadly Sins to which mankind was subject as a result of the Original Sin of Adam and Eve, to whom the two naked sleepers allude. The dovecote (a birdhouse to attract doves or pigeons that can be trapped for food without the bother of raising them) was associated with the morally lazy who take the easy way. The goat, known for its lust, alludes to self-indulgence, and the peacock, to pride. Bloemaert was gifted in depicting natural detail, but he never painted pure landscapes, preferring pictures with a lesson. He was one of the leading artists of Utrecht and trained many major artists of the next generation.
Deutsch: Darstellung einer Parabel aus dem Matthäusevangelium von Abraham Bloemaert. Der Teufel, hier bezeichnet durch Hörner und Schwanz, bringt Unkraut auf das Feld schlafender Bauern aus. Die nackte Form der Bauern verweist auf Adam und Eva, welche der Menschheit die Ursünde der Trägheit, eine Todsünde im christlichen Glauben, vererbten. Auch der Taubenschlag (ein Vogelhaus, das der Taubenjagd zum Verzehr dient) wurde moralisch mit faulen Menschen in Verbindung gebracht. Ziegenbock und Pfau verweisen auf Genusssucht und Stolz.
Datum 1624 Edit this at Wikidata
Barok (late 16 century
date QS:P,+1550-00-00T00:00:00Z/7,P4241,Q40719766
–1750s
date QS:P,+1750-00-00T00:00:00Z/8
) Edit this at Wikidata
Tegniek olieverf op doek Edit this at Wikidata
Dimensies Hoogte: 100,4 cm Edit this at Wikidata; breedte: 132,5 cm Edit this at Wikidata
dimensions QS:P2048,+100.4U174728
dimensions QS:P2049,+132.5U174728
institution QS:P195,Q210081
Inventarisnommer
26419
Herkoms
Exhibition history Masters of Seventeenth Century Dutch Landscape Painting. Rijksmuseum Amsterdam, Amsterdam; Museum of Fine Arts, Boston, Boston; Philadelphia Museum of Art, Philadelphia. 1987-1988. Masters of Light: Dutch Painters in Utrecht During the Golden Age. The Walters Art Gallery, Baltimore; Fine Arts Museums of San Francisco, San Francisco; The National Gallery, London. 1997-1998. Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001. The Glory of the Golden Age. Rijksmuseum Amsterdam, Amsterdam. 2000.
Verkrygingskanaal Gift of the Dr. Francis D. Murnaghan Fund, 1973
Verwysings
Bron Walters Art Museum: Home page  Info about artwork
Toestemming
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Lisensiëring

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
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This digital reproduction has been released under the following licenses:

Public domain This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide.
In sommige lande is dit dalk nie wettiglik moontlik nie. Indien so:
Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

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Parable of the Wheat and the Tares Engels

Parable of the Tares Engels

media type Engels

image/jpeg

checksum Engels

3da757c94a4adb7eca8e387c43260dbcc9676af0

bepaling metode: SHA-1 Engels

data size Engels

3 298 166 greep

height Engels

1 369 pieksel

width Engels

1 799 pieksel

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huidig22:08, 21 Maart 2012Duimnaelskets vir weergawe vanaf 22:08, 21 Maart 20121 799 × 1 369 (3,15 MG)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Abraham Bloemaert}} |title = ''Parable of the Wheat and the Tares'' |description = {{en|In this parable from the Gospel of Matthew, the devil, identified ...

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