Lêer:Jan Steen - The Dancing Couple - Google Art Project.jpg

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Opsomming

Jan Steen: The Dancing Couple  wikidata:Q20177586 reasonator:Q20177586
Kunstenaar/Skepper
Jan Steen  (1625/1626–1679)  wikidata:Q205863 s:en:Author:Jan Havickszoon Steen
 
Jan Steen
Alternatiewe name
Jan Havicksz. Steen
Beskrywing Dutch painter en drawer
Geboorte- en sterfdatum 1625 or 1626
date QS:P,+1625-00-00T00:00:00Z/8,P1319,+1625-00-00T00:00:00Z/9,P1326,+1626-00-00T00:00:00Z/9
 23 February 1679 (buried)
Geboorte- en sterfplek Leiden Leiden
Werk periode 1648-1679
Werksplek
Leiden (1648-1649), Den Haag (1649-1654), Delft (1654-1656), Warmond (1656-1660), Haarlem (1661-1670), Leiden (1670-1679)
Gesagsbeheer
artist QS:P170,Q205863

Details on Google Art Project
image of artwork listed in title parameter on this page
Titel
Engels:
The Dancing Couple
title QS:P1476,en:"The Dancing Couple"
label QS:Len,"The Dancing Couple"
Object type Skildery
object_type QS:P31,Q3305213
Genre genre art Edit this at Wikidata
Datum 1663
date QS:P571,+1663-00-00T00:00:00Z/9
Tegniek olie op doek
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
olie op doek
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensies Hoogte: 1 025 mm; breedte: 1 425 mm
dimensions QS:P2048,1025U174789
dimensions QS:P2049,1425U174789
institution QS:P195,Q214867
Inventarisnommer
1942.9.81
Herkoms

Probably (sale, The Hague, 24 April 1737, no. 7).[1] Pieter Bisschop [c. 1690 1758] and Jan Bisschop [1680 1771], Rotterdam, by 1752; purchased 1771 with the Bisschop collection by Adrian Hope [1709 1781] and his nephew, John Hope [1737 1784], Amsterdam; by inheritance after Adrian's death to John, Amsterdam and The Hague; by inheritance to his sons, Thomas Hope [1769 1831], Adrian Elias Hope [1772 1834], and Henry Philip Hope [1774 1839], Bosbeek House, near Heemstede, and, as of 1794, London, where the collection was in possession of John's cousin, Henry Hope [c. 1739 1811], London; by inheritance 1811 solely to Henry Philip, Amsterdam and London, but in possession of his brother, Thomas, London; by inheritance 1839 to Thomas' son, Henry Thomas Hope [1808 1862], London; by inheritance to his wife, née Adèle Bichat [d. 1884], London; by inheritance to her grandson, Henry Francis Hope



Pelham Clinton Hope, 8th duke of Newcastle under Lyme [1866 1941], London; (P. & D. Colnaghi & Co. and Charles Wertheimer, London), 1898 1901; (Thos. Agnew & Sons, Ltd., London); sold 1901 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA.


[1] For a discussion of the provenance of this painting, including the 1737 sale, see Ben Broos, Great Dutch Paintings from America, exh. cat., Mauritshuis, The Hague; Fine Arts Museums of San Francisco, Zwolle and The Hague, 1990: 419 423.
Opmerkings More info at museum site
Verwysings
Bron/Fotograaf MQE2fyQk7CYX-A at Google Cultural Institute maximum zoom level

Lisensiëring

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1679, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Hierdie lêer is geïdentifiseer as vry van bekende beperkings onder kopiereg, insluitend alle verwante en naburige regte.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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