Angelique Rockas

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Angelique Rockas
'n Beeld van die betrokke persoonlikheid.
Angelique Rockas as Medea

Alma mater Universiteit van die Witwatersrand, Universiteit van Kaapstad
Beroep(e) Aktrise,vervaardiger
Aktiewe jare 1978–present
Angelique Rockas as Miss Julie verneder Garry Cooper as Jean in Strindberg se Miss Julie (Internationalist Theatre)

Angelique Rockas[1][2] is 'n Grieks-Suid-Afrikaanse aktrise; 'n pionier van multirassige en multinasionale teaterproduksies in Londen gedurende die dekade van 1980. Die naam van haar teatermaatskappy was Internationalist Theatre[3][4][5][6][7][8] met Athol Fugard as beskermheer[9][10]

Bibiografie[wysig | wysig bron]

Rockas het van die Katolieke Skool van St Dominic in Boksburg matrikuleer. Sy het 'n B.A. (Hons) graad in Engelse letterkunde aan die Universiteit van die Witwatersrand verwerf. Een van die groot invloede in haar jeug was die legendariese George Bizos,[11][12] die Griekse prokureur van Nelson Mandela. Rockas het toneelspel by die dramaskool van die Universiteit van Kaapstad studeer, onder die leiding van prof. Robert Mohr.[13] Reza de Wet was 'n tydgenoot[14] . Uiteindelik het Rockas met 'n verwysingsbrief van die groot Afrikaanse akteur Cobus Rossouw,[15] Suid-Afrika vir die Verenigde Koninkryk verlaat.

Loopbaan[wysig | wysig bron]

In Londen het Rockas haar loopbaan by Theatro Technis begin. Sy het Medea[16][17][18][19] van Euripides, Griekse teater, en Io in Prometheus Geboeid[20] van Aischylos onder die leiding van George Eugeniou vertolk.

Angelique Rockas se eerste onderneming in teaterproduksie was die opvoering van Dis jammer sy is 'n hoer van John Ford, met Declan Donnellan as regisseur. Sy het ook die hoofrol van Annabella gespeel .[21]

Met Internationationalist Theater het Rockas die rolle van Emma in Die Kamp van Griseld Gambaro, [22][23][24][25][26] Mej. Julie van August Strindberg,[27] en Miriam in In die Kroeg van 'n Tokio-Hotel van Tennessee Williams gespeel,en hersien deur Dirk de Villers van Pretoria News en The Star .[28][29]

Rockas het in die rolprente Die Hekse van Nicolas Roeg as Henrietta, Nereida in Oh Babylon van Costas Ferris[30] en as die Vrou van Onderhoud in Buiteland van Peter Hyams[31] verskyn. In Griekeland het sy die hoofrol van mej. Ortiki in die Griekse televisiereeks Emmones Idees[32][33] [34]met regisseur Thodoros Maragos vertolk.

Rockas werk nou aan filmprojekte met haar maatskappy "Contemptus Mundi".[35]

Internationalist Theatre-produksies[wysig | wysig bron]

  • Die Balkon deur Jean Genet vertaal deur Bernard Frechtman (Junie​​ 1981);​[36][37][38][39]
  • Die Britse première van Die Kamp deur Griselda Ganbaro vertaal deur William Oliver (Oktober 1981)​;[40][41]
  • Mutter Courage und ihre Kinder deur Bertolt Brecht vertaal deur Eric Bentley (Maart 1982)​;[42][43][44]
  • Die Britse première van Liola deur Luigi Pirandello vertaal deur Fabio Perselli (Julie 1982);[45][46][47]
  • Die Britse première van In die kroeg van 'n Tokio-hotel deur Tennessee Williams (​Mag 1983); [48][49]
  • Mej. Julie deur August Strindberg vertaal deur Michael Meyer (Januarie 1984)​;[50][51][52]
  • Vyande deur Maxim Gorky, 'n produksie met Ann Pennington, (Maart 1985).[53][54][55][56][57]

Argiewe[wysig | wysig bron]

Eksterne skakels[wysig | wysig bron]

Verwysings[wysig | wysig bron]

  1. Angelique Rockas: bold theatre pioneer”. 2011-08-10.
  2. Dirk de Villiers (July 1983). Angelique Rockas founded Internationalst Theatre all races and nationalities. The Star. South African Digest. p. 66 – via google.com. 
  3. Stage Editorial (9 April 1981). “Multi-racial Genet”. The Stage.
  4. Robert Conway (1988). British Alternative Theatre Directory Internationalist Theatre. J. Offord. pp. 27–28. ISBN 9780903931380. Besoek op 2019-02-05. 
  5. British Theatre Directory editor (1990). “British Theatre directory Internationalist Theatre Entry”. British Theatre Directory.
  6. Peter Hepple (13 May 1982). “Art of Keeping alive”. The Stage/Internrnationalist Theatre.
  7. Ann Morey (1981). “BBC Latin American The Camp by Gambaro”. BBC Latin American Service page 1.
  8. Ann Morey (1981). “BBC Latin American The Camp Multi Racial And Multi National”. BBC Latin American Service page2.
  9. Angelique Rockas: bold theatre pioneer”. 2011-08-10.
  10. Documents Athol Fugard in British Library ,"Angelique Rockas Archives", "British Library".
  11. BBC World Service Interview Archive:George Bizos”. 29 July 2003.
  12. George Bizos (November 2002). “Letter to Angelique from George Bizos”.
  13. ESAT. “Robert Mohr”. University of Stellenbosch.
  14. Esat (1976). “Die Effek van Gamma Strale directed by Robert Mohr”. Die Effek van Gamma Strale.
  15. Cobus Rossouw (Junie 1978). “Reference Letter from Cobus Rossouw”.
  16. Reviews Angelique Rockas Medea”. The Times and The Sunday Telegraph. Januarie 1982.
  17. Medea at Theatro Technis”. Camden SCanner. 28 Februarie 1982.
  18. Live performance of Angelique Rockas as Medea”. Medea. 1982.
  19. Tom Vaughan (28 Jan 1982). “Medea`s Revenge fit to stand beside the National's "Oresteia"”. The Morning Star.
  20. Theatro, Technis, London, Prometheus, Bound, Aeschyllus, Time, Out”.
  21. Ford, John (November 1980). “'Tis Pity She's a Whore”. Nuwe Teater.
  22. Ann Morey (26 Oktober 1981). “Angelique as Emma in The Camp by Gambaro”. BBC Latin American Service review of The Camp page 2.
  23. Ann Morey (26 Oktober 1981). “Angelique as Emma in The Camp by Gambaro”. BBC Latin American Service review of The Camp page 1.
  24. The Morning Star (Oktober 1981). “Searing and of great power”. The Camp.
  25. Jenny Vaughan (Februarie 1982). “El Campo (The Camp)”. Spare Rib, Issue 115, pages 46–47.
  26. Jenny Vaughan (February 1982). “Review of The Camp (El Campo)” (115): 46–47.
  27. Jo Stanley (January 1984). “Profound Conflict – Miss Julie”. The Morning Star.
  28. Dirk de Villiers (May 1983). “Review of `In the Bar of a Tokyo Hotel`”. The Star.
  29. Dirk De Villiers (17 May 1983). “Review `IN the Bar of a Tokyo Hotel: Dynamic Rockas Hailed`”. Pretoria News.
  30. Angelique Rockas film roles”. BFI.
  31. Angelique Rockas Watch this”.
  32. Angelique Rockas Greek Work-Emmones Idees”.
  33. Greek TV debut for Angelique”. Greek Review. September 1989.
  34. Angelique Rockas Greek Work-Emmones Idees”.
  35. Contemptus Mundi”. 2011.
  36. Second Show by Genet retrieved from British Newspaper Archive”. The Stage. 9 April 1981.
  37. Ann Morley-Priestman (23 July 1981). “Taylormade Theatre The Balcony retrieved from British Newspaper Archive”. The Stage.
  38. Rosemary Burton (12 Julie 1981). “The Balcony”. The Covent Garden Courrier.
  39. Christopher Hudson (3 July 1981). “The Balcony listing”. The New Standard.
  40. Jenny Vaughan (February 1982). “Review of The Camp (El Campo)” (115): 46–47).
  41. Ann Morley-Priestman (19 November 1981). “The Camp retrieved from British Newspaper Archive”. The Stage.
  42. Peter Hepple (13 May 1982). “Art of Keeping Alive retrieved from British Newspaper Archive”. The Stage.
  43. Christopher Hudson (May 1982). “Letting Mother Take the Load retrieved from ES Media”. TheStandard.
  44. Tom Vaughan (May 1982). “Rising to Brecht`s Heights retrieved from Morning Star paper archives”. The Morining Star.
  45. 'piace a Londra Liola in teatro”. Corriere della Serra. 1982-07-20.
  46. Harold Atkins (28 July 1982). “Deceit in a Sicilian village”. The Daily Telegraph.
  47. Irving Wardle (28 July 1982). “Sowing Seeds Liola retrieved from Times Digital rchive Gale Group”. The Times.
  48. Ann Nugent (14 July 1983). “Battle for Riches review of Tokyo Bar retrieved from British Newspaper Archives”. The Stage.
  49. Poster of `In the Bar of a Tokyo Hotel` with Cast and Crew”. Internationalist Theatre. 8 July 1983.
  50. RB Marriott (2 February 1984). “Review of Miss Julie retrieved from British Newspaper archive”. The Stage.
  51. Jo Stanley (2 February 1984). “Profound Conflict review of Miss Julie retrieved from Morning Star paper archives”. The Stage.
  52. Franscis King (22 January 1984). “Miss Julie retrieved from Telegraph hisorical archive Gale”. The Sunday Telegraph.
  53. Tom Vaughan (26 March 1985). “Review of Enemies”. The Morning Star.
  54. Barney Bardsley (March 1985). “Review of Enemies”. City Limits.
  55. BBC Russian Service (March 1985). “Broadcast transcript of review of Enemies”. BBC Russian service.
  56. Paul Lewenstein (March 1985). “review of Enemies”. Camden News Journal.
  57. Internationalist Theatre (originally called New Internationalist Theatre )”. theatricalia.com.